‘Our Daily Bread and the limits of thirties political imagining’, in Iwan Morgan and Philip John Davies, (eds.), Hollywood and the Great Depression: American Film, Politics and Society in the 1930s (Edinburgh: Edinburgh University Press, 2016).
‘Inflation (1943) and the blacklist: the disrupted film career of Cy Endfield’, Historical Journal of Film, Television and Radio, 30: 4 (October 2010).
‘Introduction: Political Hollywood’, in Yannis Tzioumakis and Clare Molloy, eds., The Routledge Companion to Cinema and Politics (London and New York: Routledge, 2016).
‘Red Hollywood: The Case of Robert Rossen’, in Steve Neale, Frank Krutnik, Brian Neve and Peter Stanfield, eds., “Un-American” Hollywood: Politics and Film in the Blacklist Era (New Brunswick: Rutgers University Press, 2007).
“Working-Class Noir in the Blacklist Era: The Making of Cy Endfield’s The Sound of Fury (1950)” Cineaste, XL, 2 (Spring 2015).
‘Adaptation and the Cold War: Mankiewicz’s The Quiet American’, in James M. Welsh and Peter Lev, eds., The Literature/Film Reader, Issues of Adaptation (Lanham, Maryland: Scarecrow Press, 2007).
‘The Politics of Film Noir’, in Andrew Spicer and Helen Hanson, eds., A Companion to Film Noir (Chichester: Wiley-Blackwell, 2013).
‘Elia Kazan’s First Testimony to the House Committee on Un-American Activities, Executive Session, 14 January 1952’, Historical Journal of Film, Radio and Television, 25, 2 (June 2005).
‘Morality, politics and self-interest: framing the Hollywood Blacklist’, in Jacqui Miller, ed., Film and Ethics: What Would You Have Done? (Newcastle upon Tyne: Cambridge Scholars Press, 2013).
Brian Neve, ‘HUAC, the Blacklist and the Decline of Social Cinema’, in Peter Lev, ed., Transforming the American Screen, 1950-1959 (Cinema History Project) (Berkeley, California: University of California Press, 2006; Charles Scribner’s Sons, 2003).
‘Hollywood and Politics in the 1940s and 1950s’, in Steve Neale, ed., The Classical Hollywood Reader (London and New York: Routledge, 2012).
‘From Exile to Expatriate: Class and Genre in Joseph Losey’s Early British Films’, in Peter Wagstaff, ed., Border Crossings, Mapping Identities in Europe (Oxford: Peter Lang, 2004).
‘”Independence” and the “Art film”: Baby Doll and After’, in Lisa Dombrowski, ed., Elia Kazan Revisited (Wesleyan University Press, 2011).
‘Fred Zinnemann: A Past Master of His Craft’, in Gary Crowdus and Dan Georgakas, eds., The Cineaste Interviews 2: Filmmakers on the Art and Politics of the Cinema, (Chicago: Lake View Press, 2002).
‘‘The “Picture Man”: the cinematic strife of Theodore Roosevelt’, in Iwan Morgan ed., Presidents in the Movies: American History and Politics on Screen (London and New York: Palgrave Macmillan, 2011).
‘Frames of Presidential and Candidate Politics in American films of the 1990s’, Javnost/The Public, Journal of the European Institute for Communication and Culture, VII, 2 (2000).
‘Cases in European Film Culture and the Hollywood Blacklist’, in Heiko Feldner, Clare Gorarra, Kevin Passmore, eds., The Lost Decade: the 1950s in European History, Politics, Society and Culture (Newcastle: Cambridge Scholars Publishing, 2011).
‘Our Daily Bread and the limits of thirties political imagining’, in Iwan Morgan and Philip John Davies, (eds.), Hollywood and the Great Depression: American Film, Politics and Society in the 1930s (Edinburgh: Edinburgh University Press, 2016).
‘Introduction: Political Hollywood’, in Yannis Tzioumakis and Clare Molloy, eds., The Routledge Companion to Cinema and Politics (London and New York: Routledge, 2016).
“Working-Class Noir in the Blacklist Era: The Making of Cy Endfield’s The Sound of Fury (1950)” Cineaste, XL, 2 (Spring 2015).
‘The Politics of Film Noir’, in Andrew Spicer and Helen Hanson, eds., A Companion to Film Noir (Chichester: Wiley-Blackwell, 2013).
‘Morality, politics and self-interest: framing the Hollywood Blacklist’, in Jacqui Miller, ed., Film and Ethics: What Would You Have Done? (Newcastle upon Tyne: Cambridge Scholars Press, 2013).
‘Hollywood and Politics in the 1940s and 1950s’, in Steve Neale, ed., The Classical Hollywood Reader (London and New York: Routledge, 2012).
‘”Independence” and the “Art film”: Baby Doll and After’, in Lisa Dombrowski, ed., Elia Kazan Revisited (Wesleyan University Press, 2011).
‘‘The “Picture Man”: the cinematic strife of Theodore Roosevelt’, in Iwan Morgan ed., Presidents in the Movies: American History and Politics on Screen (London and New York: Palgrave Macmillan, 2011).
‘Cases in European Film Culture and the Hollywood Blacklist’, in Heiko Feldner, Clare Gorarra, Kevin Passmore, eds., The Lost Decade: the 1950s in European History, Politics, Society and Culture (Newcastle: Cambridge Scholars Publishing, 2011).
‘Inflation (1943) and the blacklist: the disrupted film career of Cy Endfield’, Historical Journal of Film, Television and Radio, 30: 4 (October 2010).
‘Red Hollywood: The Case of Robert Rossen’, in Steve Neale, Frank Krutnik, Brian Neve and Peter Stanfield, eds., “Un-American” Hollywood: Politics and Film in the Blacklist Era (New Brunswick: Rutgers University Press, 2007).
‘Adaptation and the Cold War: Mankiewicz’s The Quiet American’, in James M. Welsh and Peter Lev, eds., The Literature/Film Reader, Issues of Adaptation (Lanham, Maryland: Scarecrow Press, 2007).
‘Elia Kazan’s First Testimony to the House Committee on Un-American Activities, Executive Session, 14 January 1952’, Historical Journal of Film, Radio and Television, 25, 2 (June 2005).
Brian Neve, ‘HUAC, the Blacklist and the Decline of Social Cinema’, in Peter Lev, ed., Transforming the American Screen, 1950-1959 (Cinema History Project) (Berkeley, California: University of California Press, 2006; Charles Scribner’s Sons, 2003).
‘From Exile to Expatriate: Class and Genre in Joseph Losey’s Early British Films’, in Peter Wagstaff, ed., Border Crossings, Mapping Identities in Europe (Oxford: Peter Lang, 2004).
‘Fred Zinnemann: A Past Master of His Craft’, in Gary Crowdus and Dan Georgakas, eds., The Cineaste Interviews 2: Filmmakers on the Art and Politics of the Cinema, (Chicago: Lake View Press, 2002).
‘Frames of Presidential and Candidate Politics in American films of the 1990s’, Javnost/The Public, Journal of the European Institute for Communication and Culture, VII, 2 (2000).
If you would like to get in contact with me, please use the form, below. I will get back to you as soon as possible.
Thank you, Brian.
